“Terms of Inclusion, Terms of Exclusion” (sculpture at Crossbones Graveyard), 2018  At Crossbones Graveyard, a former sex workers’ burial ground in Southwark, I recently exhibited “Terms of Inclusion, Terms of Exclusion”. The work asked viewers to climb concrete steps up to both sides of a door with embedded text of current and possible future legislation affecting sex work. Accompanied by keyword search results from iStockphoto.com, identified on one side and renamed on the other, the work examined societal misconceptions and stereotypes that inform the production of this legislation.  This work was part of “Outside”, an exhibition at Crossbones Graveyard initiated and co-curated by Joseph Steele, Aubree Penney, and me.

“Terms of Inclusion, Terms of Exclusion” (sculpture at Crossbones Graveyard), 2018

At Crossbones Graveyard, a former sex workers’ burial ground in Southwark, I recently exhibited “Terms of Inclusion, Terms of Exclusion”. The work asked viewers to climb concrete steps up to both sides of a door with embedded text of current and possible future legislation affecting sex work. Accompanied by keyword search results from iStockphoto.com, identified on one side and renamed on the other, the work examined societal misconceptions and stereotypes that inform the production of this legislation.

This work was part of “Outside”, an exhibition at Crossbones Graveyard initiated and co-curated by Joseph Steele, Aubree Penney, and me.

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 “Terms of Inclusion, Terms of Exclusion” (sculpture at Crossbones Graveyard), 2018  At Crossbones Graveyard, a former sex workers’ burial ground in Southwark, I recently exhibited “Terms of Inclusion, Terms of Exclusion”. The work asked viewers to climb concrete steps up to both sides of a door with embedded text of current and possible future legislation affecting sex work. Accompanied by keyword search results from iStockphoto.com, identified on one side and renamed on the other, the work examined societal misconceptions and stereotypes that inform the production of this legislation.  This work was part of “Outside”, an exhibition at Crossbones Graveyard initiated and co-curated by Joseph Steele, Aubree Penney, and me.
_MG_2213.JPG
_MG_2116.JPG
_MG_2121.JPG
overallview.jpg
oversll2.jpg
_Z8A2206.jpg
_Z8A2209.jpg
_Z8A2211.jpg
_Z8A2212.jpg
_Z8A2228.jpg
_Z8A2220.jpg
_Z8A2218.jpg
_Z8A2217.jpg
_Z8A2216.jpg
_Z8A2213.jpg
_Z8A2221.jpg

“Terms of Inclusion, Terms of Exclusion” (sculpture at Crossbones Graveyard), 2018

At Crossbones Graveyard, a former sex workers’ burial ground in Southwark, I recently exhibited “Terms of Inclusion, Terms of Exclusion”. The work asked viewers to climb concrete steps up to both sides of a door with embedded text of current and possible future legislation affecting sex work. Accompanied by keyword search results from iStockphoto.com, identified on one side and renamed on the other, the work examined societal misconceptions and stereotypes that inform the production of this legislation.

This work was part of “Outside”, an exhibition at Crossbones Graveyard initiated and co-curated by Joseph Steele, Aubree Penney, and me.

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